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                     Past exhibition 
                    
           
                   
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                     John Neff  
                     Nocturnes for Boston 
                     
                   
                    From: October 25 to November 29, 2008 
                      Opening Reception: October 25, 2008 6-8pm Download Press Release (41 KB)                      
		      
		       The solo exhibition Nocturnes for Boston, the first Boston presentation of work 
by Chicago-based John Neff, is comprised of large-format toned cyanotype prints 
and projected transparencies. The figurative images depict historical and recent 
Boston events involving transvestism (colonists' wearing of Indian garb during 
the Boston Tea Party) or masking (a study for a memorial to the 2006 death of 
British citizen Adrian Exley during a breath control / BDSM session in suburban 
Boston). 
Since 2005, Neff has been developing a distinctive photographic method that 
involves: collecting and generating digital photographic images; printing the 
images as negative acetate transparencies; collaging together those 
transparencies on glass to produce figurative images; and, finally, printing his 
collaged negatives as cyanotype photographs. Often, Neff presents his hand- 
worked negatives in conjunction with his prints. 
For Nocturnes for Boston, Neff has darkened the Proof gallery space and 
presents a large selection of his glass transparencies as projections from an 
altered vintage overhead projector. As gallery visitors pass through the 
projectors' beam, their shadows mingle with the artist's historical 
reconstructions. 
Neff has darkened and tinted his cyanotype prints of nocturnal Boston scenes with tea toning and multiple exposures. Although more conventionally presented, 
these works also invite intimate engagement from beholders: each is accompanied 
by a small chapbook outlining detailing the pictures' historical context and citing 
the images' sources. Compositionally, all of the works in the show are modeled 
on 18th century British "conversation pictures" and grand portraiture.
		       
                    
                   
                    
		    
                    
                       
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