Index

Selected Photographs      / Selected Installations         /Selected Curatorial Projects

2026
Carrier

2025
Scherben: Two Roses & A Briar Pipe
White Hydrogen

2024
Maison Fragile
Millennial Hallway

2023
Athi Patra Ruga: …looking for The One.
Survival on Land & Sea

Desire
Reckless Rolodex

2022
Sketch for a Movie
Soccer Pictures

2021
Amina Ross: Man’s Country
Oli Rodriguez: Papi
John Neff: 101

2020
Bequest of Robert Blanchon
2018
Kevin Killian: Spreadeagle
Kelly Kaczynski, Thomas Kong, Patric McCoy, and John Neff: Curated by John Neff, Curated by Jamie Stevens
Coop Fund, Amalle Dublon, Constantina Zavitsanos, Devin Kenny, John Neff

2017
Blue Bathroom Blues Set for Frederick Weston
Authorization Sessions 
Dani and Sheilah ReStack: Stack for Carrington’s Hyena
Hervé Guibert: How Could It Be Otherwise?
Arnold Kemp
Eternal Youth
Militant Eroticism: The Art+Positive Archives

2016
Joe Cassan: Bed, Bath, and Beyond
Chicago and Vicinity
Tony Greene Movie (2014-2016)

2015
Thomas Kong / John Neff Making Chances
Militant Eroticism: The Art+Positive Archives
Robert Beck / Robert Buck
Kelly Kaczynski: Oh! Oh! Oh!

2014
Tony Green
2013
Kaplan Project
Mark Jackson / Tony Lewis / John Neff

John Neff

2012
Mark Jackson: Darkness and Light
John Neff
Spectral Landscape (with Viewing Stations)

2011
Intimacies
John Neff Prints Robert Blanchon
Kelly Kaczynski

2010
The Book of the Tumblr on Fire
Production Site: The Artist’s Studio Inside-Out

2009
The Analog Hole (Or “Abundance”)
Artist Run Chicago/ Artists Run Chicago Digest
Basic or Boring Pictures
Doug Ischar: An Interview. In “Marginal Waters.”

2008
Dead Center / Marginal Notes Bathers and Other Liquid Pictures Father, can’t you see I’m burning Nocturnes for Boston Trans Blueprints and Trans Study
2007
Snowfall 
Printed Space
I’m Not Saying It Does & I’m Not Saying It Doesn’t- An Interview with Fred Camper.

2006
Pornographic Pantograph with Allusion to Juan Sanchez Cotan (In Progress, Patent Pending)
Monuments of the Prosaic. BAT Journal

2004
Travels Between the First and Third Dimension
2003
Hysterical Pastoral
Stray Show Catalogue (with Hypothetical Continent)

2002
Loop
Papers on Work- Collages and Explanations

2001
Triptych
Untitled (To My Mother)

2000
Cold Conceptualism
Figure / Ground
Repetitions

1999 Empty Space
1998
Two Comparsions
1997

Documentuh
Vexations

1996
214 West Gilman St. #2


2014

With contributions from Elijah Burgher, Edie Fake, Miller & Shellabarger, Paul P., Dean Sameshima, Scott Treleaven, and Latham Zearfoss
Curatorial Project

April 5 - May 5

Iceberg
Chicago, IL

Iceberg Projects is pleased to present an exhibition of works by the late Los Angeles artist Tony Greene (1955 — 1990). The artist's paintings are currently featured in a presentation at the Whitney Biennial curated by artists Richard Hawkins and Catherine Opie. Curated by John Neff, Iceberg's exhibition will be among the first exhibitions of work by Tony Greene since the early 1990s.

During a brief but prolific career, Greene developed a hybrid method of collage painting that crossbred biomorphic abstraction, outré decorative devices, and montage techniques informed by the artist's studies at CalArts. Diverse in their influences and sources, Greene's works are strikingly consistent in mood and style. The art's pervasive atmosphere of seductive dis-ease,naccented by elements of camp posturing, grows as much from the writings of Denton Welch as it does from mainstream American art of its time. Marked by the AIDS crisis that threatened the artist and his world, the paintings also represent a pioneering insight into ho Conceptualism's bone-dry aesthetic might be given the wet bite of life, love, and sex. It is in this regard that — as well as being overlooked witnesses of an historical moment — Greene's works are vital examples for some contemporary audiences.

Reflecting the current revival of interest in Greene's art - and the networks though which that interest flows - Iceberg’s exhibition will nest his paintings within a selection of pieces by younger artists practicing in his spirit and/or involved in bringing his work to light in the new millennium. These artists include Elijan Burgher, Edie Fake, Miller & Shellabarger, Paul P., Dean Sameshima, Scott Treleaven, and Latham Zearfoss.

Adigital catalogue of the exhibition, including a text assembled by the curator from interviews with colleagues of the artist and scholars of his work, will be published to accompany the exhibition. 

The publication will include a catalogue raisonné of missing works by Greene. A catalogue release, and a reading by San Francisco based writer Kevin Killian, will be held at Iceberg on April 19 at 7:30pm.

Iceberg wishes to thank Richard Hawkins, and Ray Morales representing the estate of estate of Norm MacNeil, for their assistance in realizing this project.