Info

2026
Carrier

2025
Scherben: Two Roses & A Briar Pipe
Looking for the One, Athi Patra Ruga
White Hydrogen

2024
Maison Fragile
Millennial Hallway

2023
Athi Patra Ruga: …looking for The One.
Survival on Land & Sea

Desire
Reckless Rolodex

2022
Sketch for a Movie
Soccer Pictures

2021
Amina Ross: Man’s Country
Oli Rodriguez: Papi
John Neff: 101

2020
Bequest of Robert Blanchon
2018
Kevin Killian: Spreadeagle
Kelly Kaczynski, Thomas Kong, Patric McCoy, and John Neff: Curated by John Neff, Curated by Jamie Stevens
Coop Fund, Amalle Dublon, Constantina Zavitsanos, Devin Kenny, John Neff

2017
Blue Bathroom Blues Set for Frederick Weston
Authorization Sessions 
Dani and Sheilah ReStack: Stack for Carrington’s Hyena
Hervé Guibert: How Could It Be Otherwise?
Arnold Kemp
Eternal Youth
Militant Eroticism: The Art+Positive Archives

2016
Joe Cassan: Bed, Bath, and Beyond
Chicago and Vicinity
Tony Greene Movie (2014-2016)

2015
Thomas Kong / John Neff Making Chances
Militant Eroticism: The Art+Positive Archives
Robert Beck / Robert Buck
Kelly Kaczynski: Oh! Oh! Oh!

2014
Tony Green
2013
Kaplan Project
Mark Jackson / Tony Lewis / John Neff

John Neff

2012
Mark Jackson: Darkness and Light
John Neff
Spectral Landscape (with Viewing Stations)

2011
Intimacies
John Neff Prints Robert Blanchon
Kelly Kaczynski

2010
The Book of the Tumblr on Fire
Production Site: The Artist’s Studio Inside-Out

2009
The Analog Hole (Or “Abundance”)
Artist Run Chicago/ Artists Run Chicago Digest
Basic or Boring Pictures
Doug Ischar: An Interview. In “Marginal Waters.”

2008
Dead Center / Marginal Notes Bathers and Other Liquid Pictures Father, can’t you see I’m burning Nocturnes for Boston Trans Blueprints and Trans Study
2007
Snowfall 
Printed Space
I’m Not Saying It Does & I’m Not Saying It Doesn’t- An Interview with Fred Camper.

2006
Pornographic Pantograph with Allusion to Juan Sanchez Cotan (In Progress, Patent Pending)
Monuments of the Prosaic. BAT Journal

2004
Travels Between the First and Third Dimension
2003
Hysterical Pastoral
Stray Show Catalogue (with Hypothetical Continent)

2002
Loop
Papers on Work- Collages and Explanations

2001
Triptych
Untitled (To My Mother)

2000
Cold Conceptualism
Figure / Ground
Repetitions

1999 Empty Space
1998
Two Comparsions
1997

Documentuh
Vexations

1996
214 West Gilman St. #2


2008    Bathers and Other Liquid Pictures
Exhibition

June 25 – July 23

Western Exhibitions
Chicago, IL

Western Exhibitions is pleased to announce the May 24th opening of John Neff's solo show Bathers and Other Liquid Pictures in the gallery's main space. Male nudes and nautical pictures, the artist's new works include two large-format assembled cyanotype prints, several hand-made glass plate negatives and a figurative sculpture.

In contrast to Neff's three-room 2006 solo show with Western Exhibitions, Pornographic Pantograph With Allusion To Juan Sanchez Cotan (In Progress, Patent Pending), this spare display will present a small number of relatively discrete works.

In his large-scale cyanotype prints, Neff uses a hybrid photographic technique he developed while working on the Pornographic Pantograph project. The artist first collects or generates digital photographic images; then, he prints these images as acetate negatives; the acetate negatives are then collaged together to create figurative images; finally, the negatives are printed using the Victorian photographic technology of cyanotype printing (literally, blueprinting).

Previously, Neff's use of this technique emphasized his graphic materials' disparate sources and the physical tearing and re-orientation of the collaged negatives.  His newer works strive to create more unified representational fields and more complete figures, a shift reflected in the use of traditional subjects such as the bather. Neff notes this relationship between his current subjects and his preferred photographic technology: blueprints are developed in a water bath.

The "other liquid pictures" of the exhibition's title are two small works - a glass plate negative and a photographic print - from an ongoing project to create 100 pieces depicting a maritime history of the 1990s. U.S.S. Stark, documenting a 1987 Iraqi missile strike on a U.S. Navy frigate in the Persian Gulf, is the series' prologue. U.S.S. Cole Hole – a rendering of that U.S. Navy ship's hull after a suicide boat bombing in 2000 - functions as the series' epilogue avant-le-lettre.

The exhibition will be accompanied by a printed interview between Neff and critic Jeff Ward, which will be distributed in the gallery and online at www.westernexhibitions.com.