Index

Selected Photographs      / Selected Installations         /Selected Curatorial Projects

2026
Carrier

2025
Scherben: Two Roses & A Briar Pipe
White Hydrogen

2024
Maison Fragile
Millennial Hallway

2023
Athi Patra Ruga: …looking for The One.
Survival on Land & Sea

Desire
Reckless Rolodex

2022
Sketch for a Movie
Soccer Pictures

2021
Amina Ross: Man’s Country
Oli Rodriguez: Papi
John Neff: 101

2020
Bequest of Robert Blanchon
2018
Kevin Killian: Spreadeagle
Kelly Kaczynski, Thomas Kong, Patric McCoy, and John Neff: Curated by John Neff, Curated by Jamie Stevens
Coop Fund, Amalle Dublon, Constantina Zavitsanos, Devin Kenny, John Neff

2017
Blue Bathroom Blues Set for Frederick Weston
Authorization Sessions 
Dani and Sheilah ReStack: Stack for Carrington’s Hyena
Hervé Guibert: How Could It Be Otherwise?
Arnold Kemp
Eternal Youth
Militant Eroticism: The Art+Positive Archives

2016
Joe Cassan: Bed, Bath, and Beyond
Chicago and Vicinity
Tony Greene Movie (2014-2016)

2015
Thomas Kong / John Neff Making Chances
Militant Eroticism: The Art+Positive Archives
Robert Beck / Robert Buck
Kelly Kaczynski: Oh! Oh! Oh!

2014
Tony Green
2013
Kaplan Project
Mark Jackson / Tony Lewis / John Neff

John Neff

2012
Mark Jackson: Darkness and Light
John Neff
Spectral Landscape (with Viewing Stations)

2011
Intimacies
John Neff Prints Robert Blanchon
Kelly Kaczynski

2010
The Book of the Tumblr on Fire
Production Site: The Artist’s Studio Inside-Out

2009
The Analog Hole (Or “Abundance”)
Artist Run Chicago/ Artists Run Chicago Digest
Basic or Boring Pictures
Doug Ischar: An Interview. In “Marginal Waters.”

2008
Dead Center / Marginal Notes Bathers and Other Liquid Pictures Father, can’t you see I’m burning Nocturnes for Boston Trans Blueprints and Trans Study
2007
Snowfall 
Printed Space
I’m Not Saying It Does & I’m Not Saying It Doesn’t- An Interview with Fred Camper.

2006
Pornographic Pantograph with Allusion to Juan Sanchez Cotan (In Progress, Patent Pending)
Monuments of the Prosaic. BAT Journal

2004
Travels Between the First and Third Dimension
2003
Hysterical Pastoral
Stray Show Catalogue (with Hypothetical Continent)

2002
Loop
Papers on Work- Collages and Explanations

2001
Triptych
Untitled (To My Mother)

2000
Cold Conceptualism
Figure / Ground
Repetitions

1999 Empty Space
1998
Two Comparsions
1997

Documentuh
Vexations

1996
214 West Gilman St. #2


2000Figure / Ground
Project
Chicago, IL

The elements of this set are divided into two sub-sets, Figure / Ground 1 (Blue) and Figure / Ground 2 (White), which are installed opposite each other on two walls. Texts accompany each sub-set.

FIGURE / GROUND 1 (BLUE)
Brady Grid
Digital video

Sears Portrait Studio Light Blue Background
Paint on canvas over wood (manufactured by Owens Originals Studio Backdrops, Kansas City, MO)

The Brady Bunch
116 episodes plus pilot, aired on ABC Television 1969–1974

The Sears Portrait Studio is a subsidiary of Sears, Roebuck and Company

The differentiation of figure from ground is a birth act. The color of the differentiation of figure from ground is blue, the color of the universal background. This process is general, not specific. For this reason, the Sears Portrait Studio Light Blue Background is best viewed with a back to the canvas.

FIGURE / GROUND 2 (WHITE)

Avedon with Stand – In
Black and White photograph with photogram mounted on gator-foam

A photograph was taken in the manner of Richard Avedon (a human torso against a seamless white backdrop). The negative was enlarged to life-size. As the photographic paper was exposed, a human figure blocked out the photographed figure, returning the figure to ground.

Ground Segal
Plaster and cotton gauze

Richard Avedon, American, 1923 –

George Segal, American, 1925 – 2000

The de-differentiation of figure from ground is a death act. The color of the de-differentiation of figure from ground is white. This process is specific.