Index

Selected Photographs      / Selected Installations         /Selected Curatorial Projects

2026
Carrier

2025
Scherben: Two Roses & A Briar Pipe
White Hydrogen

2024
Maison Fragile
Millennial Hallway

2023
Athi Patra Ruga: …looking for The One.
Survival on Land & Sea

Desire
Reckless Rolodex

2022
Sketch for a Movie
Soccer Pictures

2021
Amina Ross: Man’s Country
Oli Rodriguez: Papi
John Neff: 101

2020
Bequest of Robert Blanchon
2018
Kevin Killian: Spreadeagle
Kelly Kaczynski, Thomas Kong, Patric McCoy, and John Neff: Curated by John Neff, Curated by Jamie Stevens
Coop Fund, Amalle Dublon, Constantina Zavitsanos, Devin Kenny, John Neff

2017
Blue Bathroom Blues Set for Frederick Weston
Authorization Sessions 
Dani and Sheilah ReStack: Stack for Carrington’s Hyena
Hervé Guibert: How Could It Be Otherwise?
Arnold Kemp
Eternal Youth
Militant Eroticism: The Art+Positive Archives

2016
Joe Cassan: Bed, Bath, and Beyond
Chicago and Vicinity
Tony Greene Movie (2014-2016)

2015
Thomas Kong / John Neff Making Chances
Militant Eroticism: The Art+Positive Archives
Robert Beck / Robert Buck
Kelly Kaczynski: Oh! Oh! Oh!

2014
Tony Green
2013
Kaplan Project
Mark Jackson / Tony Lewis / John Neff

John Neff

2012
Mark Jackson: Darkness and Light
John Neff
Spectral Landscape (with Viewing Stations)

2011
Intimacies
John Neff Prints Robert Blanchon
Kelly Kaczynski

2010
The Book of the Tumblr on Fire
Production Site: The Artist’s Studio Inside-Out

2009
The Analog Hole (Or “Abundance”)
Artist Run Chicago/ Artists Run Chicago Digest
Basic or Boring Pictures
Doug Ischar: An Interview. In “Marginal Waters.”

2008
Dead Center / Marginal Notes Bathers and Other Liquid Pictures Father, can’t you see I’m burning Nocturnes for Boston Trans Blueprints and Trans Study
2007
Snowfall 
Printed Space
I’m Not Saying It Does & I’m Not Saying It Doesn’t- An Interview with Fred Camper.

2006
Pornographic Pantograph with Allusion to Juan Sanchez Cotan (In Progress, Patent Pending)
Monuments of the Prosaic. BAT Journal

2004
Travels Between the First and Third Dimension
2003
Hysterical Pastoral
Stray Show Catalogue (with Hypothetical Continent)

2002
Loop
Papers on Work- Collages and Explanations

2001
Triptych
Untitled (To My Mother)

2000
Cold Conceptualism
Figure / Ground
Repetitions

1999 Empty Space
1998
Two Comparsions
1997

Documentuh
Vexations

1996
214 West Gilman St. #2


1998White


Exhibition

Art Department Gallery, 
University of Wisconsin

Madison, WI

Installation: works of art, plaster dust, printed materials and binoculars


White was presented at the University of Wisconsin - Madison's Art Department Gallery. The gallery and the rest of the department's facilities have long been plagued by problems with ventilation and air quality. The Humanities Building, which houses the department, is seen on campus as representative of the flaws of institutional architecture.

For
White, I solicited contributions of white artwork from art students and faculty. The work in the show was offered for sale, and proceeds from sales were donated to the department. The donated monies were to be put towards a planned reconditioning of the gallery.
One half of the space was painted a dark gray. A white shelf hung on the wall. The shelf housed a bid book and three pairs of binoculars. Above it hung three framed documents: a quotation from Peter Watson's history of art sales From Manet to Manhattan and two pages containing a numbered listing of the works in the show and their prices.

The other half of the gallery was painted a bright white. It contained the works offered for sale, and was rendered inaccessible by a cord pulled across the space. On the wall beside each piece was a black number. The floor was dusted with powdered plaster.

Watson's quotation, which dealt with art sales in 19th century France, read, in part: "Certain dealers objected to the public's being allowed into auctions and spilled powder on the salesroom floors, which inflamed throats so much that people coughed up blood."